Tomorrow, I Test. Tonight, I study.

I had a whole post ready to go, formatted and with pictures and links, etc. (If you happened to check the site in the right 10-minute window, you may even have seen it.) Unfortunately, in that post I made an announcement that I can't safely talk about in this space just yet. I hate being vague and cryptic, and hate even more having to substitute a paragraph and a picture for an actual article today, but I really cannot make the time to write another one tonight, so I felt this deserved an explanation.  I anticipate that I'll repost today's scheduled article in a few days or weeks time, edited for context once I've been cleared to make announcements.  I'm not in any legal trouble, not in any medical danger and much as I would wish it, I didn't sign a book or other media deal.  I am also probably not dating a celebrity, as my wife won't let me.  I'll be back to normal posting Monday, presuming I survive the test.

The moon is also probably not crashing into my house tomorrow, I'm just
taking a very important test.

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Blog Gadgets

Social Networking Sites: Change, Privacy and Controversy.

In the course of an average day, I spend quite a bit of time using social media. This site, in a way, falls into that category. Facebook, Google+, Tumblr, Twitter, Reddit and StumbleUpon form a part of my daily computing that is just as important as blogging, gaming or email online. Whenever there is a controversy with one or more of these sites, it is usually as a result of something changing. Facebook changes privacy options or redesigns the user interface, a site has trouble maintaining uptime, makes inappropriate use of user information, or policies are adopted that the public objects to, sometimes very vocally. In the past weeks, there have been a lot of angry social media users and a lot of controversy happening at a few of the most popular sites and services. I'd like to summarize a few of those and talk about what the issues are, and what, in my opinion, they mean (if anything.)

Google+ and Real Names:

Google has dodged the wrath of the rich and powerful by not really requiring
"real names", just the "name you are best known by in daily life."

This controversy is the oldest of the ones I want to talk about, but since it is ongoing, it remains as relevant as the others. When the new social networking site was launched, it was embraced by many of the standard early adopters. Among the tech-savvy people who got in early were many bloggers, myself included. This highlighted one of the drawbacks to Google's answer to Facebook: No pseudonyms. Many bloggers prefer to only be known by the name given their internet identity, and with Google+ giving people the ability to add people whose opinions they'd like to hear without worrying if they'd get an add back, it seemed to be a good platform for online celebrities. If someone is only known by their online identity to a large audience, a profile tied to their real name isn't much use.

The debate over online anonymity goes beyond whether I'd rather have my Google Plus account under "Docstout" or not. There are many people online who cannot express their opinions without danger to themselves and those dear to them. Political dissenters, whistleblowers, victims of abuse or harassment, or anyone with an unpopular opinion are all the sort of people silenced in the name of "People are nicer without anonymity." These people cannot protect themselves, but 50 Cent is allowed a profile under that name in a disgusting display of inequality. Google+ finds itself in the position of protecting the wrong people and things. This is likely because their strategy for integration of services across Gmail, Google + and the rest of their online presence hinges on virtual "ownership" of people's online identities, and that product isn't as valuable if you aren't who you say you are. Unless you are wealthy and/or famous, of course.

Facebook Rolls Out Changes, Affects User Privacy (Again.):

Facebook has done stuff like this so much, it is hardly news anymore.

Google isn't the only company attempting to stake a claim in the online presence of its users, and their attempts to use that information has, over the years, resulted in many privacy scandals. User's names and photos in targeted advertising, how and when you use the social network, and even where you are physically present are all related to ever-changing privacy settings. The least private settings are set as defaults, with users constantly needing to "opt out" of having personal information shared with acquaintances, strangers and large companies. The latest round of changes put a mini-newsfeed showing virtually every action your friends perform on the site, including comments on pictures or the status of people you may not even know.

The anger over these changes seemed for the most part directed at things being visually different, which isn't anything new. Missed in the outcry is a simple fact that most people don't understand about Facebook. The reason the site is able to remain free to use, well maintained and with new features constantly being added is that Facebook users aren't the customer. Facebook users are the product being sold. I find the small amounts of personal information I allow the site and its partners to use is a fair trade for what I get out of the deal, but I recognize the arrangement for what it is. Wherever possible, I limit sharing of what I don't want shared, opt out where I can, and recognize that the many people who won't go through the steps to do that make the scheme profitable, so it is unlikely to change or go in another direction.

StumbleUpon Removes Blogging and Theme Features:

Et tu, StumbleUpon?

This is the newest of the controversies in Social Media, and one likely to impact me personally, if indirectly. I was a StumbleUpon early adopter, I've clicked the Stumble button over 76,000 times, and quite a bit of my traffic to this site comes from the service. I've never really used StumbleUpon's themes or blogging features, however, and these specific services will soon no longer be offered. Profile Pages will be limited to text and an avatar image, comments will be text-only instead of allowing HTML, and overall functionality beyond sharing sites with the network will be diminished. Most of the services that put StumbleUpon in the Social Networking category at all will be severely limited or cut completely, and many people are moving on. For every person that stops using the network, it gets a tiny bit weaker.

Why would a company do that? It seems that these features require time and money to continue to support through maintenance and helpdesk issues, and there aren't enough people using them to justify an expense. The style of blogging on StumbleUpon has mostly been replaced by Tumblr, with reblogging/sharing content and posting photos with brief thoughts about them. Removing these features means less time patching the security vulnerabilities their existence creates, and more time focusing on the core concept of StumbleUpon, which is delivering sites based on what someone likes at the press of a button. I don't like the idea of a mass exodus from the network, as the content is fresher and more varied in scale with how many people participate, but I understand the reasons behind this controversy in general.

Yeah, it is pretty much like that.

What these three stories have in common is, of course, money. Things that make users upset or angry are being changed anyway because even with those who leave over the situation, there is a profit to be made in going a certain direction. Every person needs to decide for themselves where their personal line is between what they get from a free online service and what is done with that service in order to make it a profitable business. In the next few years, whichever site can best balance its need to be profitable with keeping a large base of users happy will likely be the most successful in the long run.

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Blog Gadgets

Console Emulation and ROMS: Ethically Grey Waters in Classic Gaming

The more articles I write, the more I find myself leaning toward certain subjects. This makes a lot of sense, because while I may continue watching a science fiction series or continue playing a particular tabletop roleplaying game, I can (or should, rather) only write about it once. Video games, on the other hand, are a topic that due to the sheer number of different titles I play, usually generate possibilities for new articles faster than I can write them, because I never wanted these pages to be primarily about video games. There are many, many websites writing on that topic, and while I am happy to share my thoughts on the subject, I'd like this site to also be about other things. That said, rather than forcing an article about a different topic when games are on my mind, I'll write about what I'm into, and one of those things at the moment is playing console classics of years gone by on a hardware emulator for PC.

Many difficult NES games are being rediscovered in emulation, some
emulators having cheats built in, almost all allow saving at any time.

At the most basic level, an emulator in this context is a piece of software that allows a modern PC to execute instructions as though it were another piece of hardware, typically a game console. Though there are emulators for computers of years gone by and even calculators, Arcade cabinets and home video game systems are the most popular use of this particular kind of software. The actual games for these platforms are also software, Read Only Memory (or ROM) that is stored on a chip or disc (CD-ROM/DVD-ROM). The original ROM data, if on a chip, may have been housed in a cartridge or slotted into an arcade systems mainboard. This data can, with specialized equipment be "dumped" to a file that creates an image of the same data that can be stored on any device that normally holds files (CD, DVD, PC Hard Drive, USB Thumbdrive, etc...) The ROM file can be read and loaded by an emulator that translates original graphics, sound and controller input to the equivalent on the PC they are running on.

When I got started in video game emulation over 15 years ago, it was mostly for NES, Super NES, Sega Genesis and classic Arcade Games. There was never a question then in my mind regarding the ethics of use of commerical ROMs in this sort of software, as the vast majority of the titles could not be purchased from the original publishers even if someone would want to. Many of these games would be unplayable with the original cartridges due to the advanced age of the systems, and I'd purchased more than a few of them at original retail price. Things are changing, as emulators are released for more and more modern systems, and some of the classic software is becoming available for download for a small fee in the Nintendo Store, Xbox Live, and even for tablet or mobile phone platforms. The original copyright violations, while strictly non-commericial (no one got paid for any of this,) were technically illegal, and the traditional rationalization weakens as many of these games can be purchased now.

Legend of the Mystical Ninja, or Ganbare Goemon was once only available like
this, but now it can be purchased for the Wii.

The hardware emulators themselves are not illegal pieces of software, and they are freely distributed online. There are legitimate uses of this software, and games are being developed by hobbyists for consoles long since abandoned commercially for the newest model by their developers. Popular software includes MAME (Multiple Arcade Machine Emulator) for Arcade games, FCEux, NEStopia and Nesticle for the Nintendo Entertainment System, Project 64 for the N64, Fusion or Kgen for Sega Genesis and SNES9x for the Super Nintendo. Not all of these emulators are still in development and some may support certain ROMs better than others or allow features like online or LAN multiplayer. There are even emulation programs for the last generation and current generation of game consoles, though frequently many features are missing, don't work correctly or require an incredibly powerful PC for basic operations. One of the advantages to using an emulator over the original hardware is the ability to save at any moment you like, instead of relying on save slots or checkpoints to take a break.

The ROMs themselves were once freely available on websites for download, with proprietary titles like Mario or Zelda games taken down when video game companies became aware of their existence. Certain popular ROM websites would go through years of battling with video game publishers' legal departments, with the eventual takedown of many of these communities as the eventual result. In those early days, for every site that fell to cease-and-desist orders, sternly worded warnings to the offenders' ISP and the like, two more would pop up. Now, websites claiming to offer ROMs are frequently scam or attack sites, full of advertising and with few, if any games. Like MP3s and Pirated Film and TV, the images of the games themselves have moved to peer-to-peer filesharing networks and there is little hope of their availability ever going away. An army of lawyers and lobbyists could literally spend years trying to legislate and litigate these files away, but every time a means of file transfer shuts down, another opens.

Legend of Zelda - Majora's Mask in Project 64 windowed mode on a desktop.

I've struggled with how my many years as an emulation hobbyist fits in with my feelings on piracy and intellectual property. It doesn't feel ethically the same to fire up Super Mario Brothers on an NES emulator as, say, downloading a cracked copy of Dead Island and running it on my PC would. It clearly isn't legal, and most likely isn't really any more ethical than any other form of piracy, but it occupies a part of my geek life, knowing that the entire Atari 2600 library is about 2.5 MB, and every game released for the NES could fit in a tiny corner of a flash drive. PC Gaming got me to stop pirating with Steam, TV and Films did the same with Netflix and other streaming content services. I'm sure that solutions for convenient, reasonably priced and legal alternatives to any sort of content people might pirate will take people like me and convert us into customers, without restrictive DRM or litigation. I'm just not sure where emulation fits into all of that. What do you think? Sound off in the comments.

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Blog Gadgets

Jericho – (Immediately) Post-Apocalypse Drama.

Frequently, even though I have plenty of games and television series to keep me busy when not looking for work, writing or studying, I get the urge to try something new, and my first destination is Sci-Fi TV on Netflix streaming. Among the many shows that are in that category that I've seen already, there are a few I never watched for one reason or another. Jericho was one of those. My wife decided to start up on Jericho, we'd both heard about it years ago and it sounded vaguely interesting. It was one of those shows, I recall when it was on the air, that got canceled and a lot of people were upset. Normally, I'd be riding that bandwagon years after the fact and decrying the studios for not giving great TV a chance and wagging my finger at the public for preferring more vapid entertainment to allow such a situation to occur. Not this time. After watching the first handful of episodes of Jericho, my main question isn't: "Why did they cancel this?" My main question is: "How did this ever get a 2^nd season?"

Once I'd gotten a hold of the concept, I really wanted to like this.

To be fair to the show, I think that placing this series in the sci-fi category is not particularly accurate, so a portion of my willingness to bail early on the series probably rests with it not being what I expected. Jericho is really a disaster drama set in the early stages of the post-apocalypse immediately after the disaster that ends civilization. In addition to people coping with the uncertainty of an apocalyptic event, trying to survive short-term, and hold a community together to maintain order, the show gets into the mystery of just what happened and why. On its surface, this is the sort of concept that appeals to me. Skeet Ulrich plays Jake Green, an adult who left the small Kansas town of Jericho in disgrace, but after cleaning up his life, he turns up to ask for his inheritance to get a fresh start. While in town for only a few days, the world ends, and he finds himself caught in his hometown and steps up to provide leadership in a crisis.

One of the problems with the series is that far too many events are played over the top with dramatic disaster music and characters explaining how the next action could kill people. Sure, many of the situations are dangerous, and the lives of the characters are frequently threatened in the immediate aftermath of nuclear weapons detonating in major cities around the United States. The problem is that it is impossible to maintain dramatic tension when everything is a crisis. Even if it is realistic that nearly every environment and action taken is risky or life-threatening, for the sake of a watchable narrative a point has to be reached where only the most dramatic crises are portrayed, and there is a little bit more summing up and getting on with the story. The sort of music heard once or twice in a good action movie, in the scenes where you can forget that of course the hero will survive... that music is constantly being played in Jericho. A little more often, and I'd have suspected that it was a sly, subtle disaster film parody because the music would have been unintentionally funny... it stops just short of that, in "tedious" territory.

Large cast, small, petty personalities for all but one of the characters pictured.

The single largest problem with Jericho is the characters, and how difficult it quickly becomes to care whether any of them live or die. The entire town is populated with stock characters, and most of them are jerks. The closer to being a decent person you are in Jericho, the more likely you are to be uninteresting by virtue of not having a shred of originality in your characterization. Maybe this is realistic, most people aren't interesting and in a crisis, they become selfish, petty and altogether unpleasant. This doesn't excuse them not being entertaining. I found myself still curious about the setting, and the mystery of why and how the apocalypse happened, but realized that I could look those details up online without having to suffer through watching the overly dramatic struggle of people who could die at any moment without an ounce of emotional impact for me. There is a single interesting man, but he's clearly not what he seems from the start, and he can't carry the rest of the show on his own, especially since he seems to be in opposition with them early on.

In some ways, Jericho, made in 2006, reminds me of this year's Falling Skies, as the concept of the apocalypse immediately after it happens is still a good one. Jericho, however, shares all of the flaws Falling Skies has without any of the things that makes the Alien Apocalyptic survival series good TV in spite of them. I can really only recommend this show if you are a disaster film junkie, or a fan of Falling Skies who is completely caught up and thirsting for something similar to the point you'd accept a lesser, diluted experience while waiting for more material. I'm certain that fans of the show might complain that I didn't give it enough of a chance, maybe it did get better later. I just couldn't watch anymore of a show that felt like an 80/20 mix of Dawson's Creek and Fallout. In a show with an ensemble cast this size, the characters and their relationships must be interesting to watch, or a great concept is wasted. 

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Blog Gadgets

Free To Play Again: A Look at Rusty Hearts and Puzzle Pirates.

Now and again, I check out the world of Free to Play MMORPGs. In years past, I'd have to rely on directories dedicated to the topic and download from a link to the individual game's website. Now, there is a growing Free to Play category on Steam, and I periodically check out the offerings there. What I look for in a game like this is, naturally, the same gameplay that I would like from a commercial/retail priced game. Of course, I expect that there will be both an in-game currency of some sort and a premium currency that can be purchased with real-world dollars, as these games are financed by the players who decide to buy something. I evaluate a F2P game on whether the options purchasable only with premium currency are neat options, or whether they are essential parts of the game. Games that provide too many in-game benefits for premium gear are "pay to win," and with too much content sealed off behind a paywall, the game isn't so much "free" as it is a glorified demo, shareware in disguise. With these criteria in mind, I've spent some time with two more games now available on Steam, Puzzle Pirates and Rusty Hearts.

Puzzle Pirates:

Towns, islands and decks of ships may get crowded, but you can pretty much teleport
 somewhere else if you aren't having fun.

This isn't my first time playing Puzzle Pirates, as the game has been around since 2003 and shortly after release I gave it a try. Three Rings Design has continued to add new puzzles and gameplay refinements over the years, and Steam support got me back in to see what had changed. Your character is a scurvy dog who looks like he/she escaped from a Playmobil collection and you are dropped into a world where virtually every task that can be performed is done so with a puzzle game. Players can work on or even own ships, become merchants, and attack other vessels or search for buried treasure. Back on islands, shops, inns and homes are owned and operated by players and working or playing in one of the many different buildings opens up new puzzles. Getting into swordfights, fisticuffs or drinking contests with other players have puzzle games all their own, and gambling on more traditional games like poker, spades or hearts can make or break a bucaneer's fortunes.

There's a lot of free content, with the basic puzzles to operate a ship available for free, including sailing, rigging, cannon operation, carpentry and bilge pumping. In-game currency is measured in pieces of eight, frequently abbreviated as "poe" and this money can be earned working ships for the NPC Navy or jobbing as temporary crew on a player-owned ship. Owning a ship, working a shop, or playing most parlor games are among the many activities that require a special badge purchasable with doubloons, the premium currency. Some of the locked away content is available to freeplayers daily, and many, many hours of entertainment can be had without spending a dime. Puzzle Pirates also gets major points from me on making premium currency purchasable with in-game money at a player-driven market exchange. Players can also join crews that may operate one or more vessels to launch their own expeditions, and buy custom furniture for player housing.

One of the many challenging cooperative or competitive puzzles representing labor in Puzzle Pirates.

As a character plays more of the puzzles well, skill levels in each of the games is tracked on a permanent profile. Characters can be visually customized with clothing and weapons that can be earned in-game or purchased with either poe or doubloons. Weapons can be used to make custom strikes in the swordfighting competitive puzzle, which is reminiscent of tetris, and is the last part of boarding actions taken when ships get into naval battles. Fist fighting is handled in a minigame that plays a lot like Bust-a-Move, with colored bubbles filling up the top of the screen that need to be "popped" by bubbles of the same color fired by a cannon from the bottom. Many of the puzzles are variants on popular puzzle games like Bejeweled, Dr. Mario, and Rocket Mania, with a piratey theme. I've won enough to buy a ship playing poker in a seedy tavern, brewed beer and clashed swords after a voyage spent cleaning and loading cannons or pumping seawater from the hold.

Rusty Hearts:

For now, you'd better like these three if you want to play Rusty Hearts, because even with customization, this is pretty much it... sometimes these guys will be wearing an afro or sunglasses, but little else changes.

On the complete opposite end of the spectrum is the beat-em-up Anime MMORPG Rusty Hearts. Currently in beta from Perfect World Entertainment, Rusty Hearts is set in a moody gothic gaslamp horror anime where mercenaries fight vampires and demons in the service to a psuedo-military organization. The cutscenes providing the backdrop for the world, as well as the environments themselves are very pretty. The story and dialogue options are appropriately hokey and translated about as well as any standard anime series or video game. As of this article, you select as your base one of three characters, so in public areas in low-level zones, everyone looks pretty much the same. The dour swordsman Frantz, the foul-mouthed witches' apprentice Angela and the wanderer-turned brawler Tude are the three currently playable characters, but there is a fourth in the works.

The gameplay is fairly smooth, with various special attacks unlocked and trained as characters level up, and basic attacking, grab/counter, block and combo maneuvers make gamplay feel more like an arcade fighter like Double Dragon or Golden Axe than a typical RPG. Monsters drop equipment and potions as well as cards which randomly are hidden in a grid of rewards the player can blindly choose from when a dungeon is cleared. Players are ranked at the end of a level based on combo length and special move use (style) compared to how many hits they take, to get a letter grade that affects rewards at the end of a stage. Gamepad support is present, and recommended to save wear on the keyboard, but customizing keybinds for gamepad leaves something to be desired. Unlocking harder difficulties opens up cooperative adventures suitable for a party, with rewards matching the extra challenge.

Boss fights feature tougher opponents and more complex strategies than the standard
chaining of special abilities and occasionally blocking.

If you can deal with every player being copies of the same three people all over the place, in addition to new skills and better equipment, eventually costume pieces can be unlocked to give individual characters a custom look. The fast route to these cosmetic modifications is premium currency purchased through the cash shop, but some costume pieces can be earned by questing or bought with in-game money. Players who don't care about the appearance of their personal characters will find that most of the game is free, cash shop items having very little impact on game power. There is also a PVP arena, a guild system and customizable personal quarters, plus a game bank and player auction house. The difficulty scales very well with how much time a player wishes to put in, so a solo/casual player has a good experience as well as the more involved players interested in partying up and tackling tougher adventures.

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Blog Gadgets

My Review of Franklyn – A Mixed Bag of British Sci-Fi/Drama

Okay, I saw the trailer for Franklyn, and I'll admit it, they suckered me. The promo spots for this film, or at least the one I saw, focus on the most unusual elements of a film that is about two-thirds fairly mundane. You have Ryan Phillipe in a badass looking mask as some sort of dark vigilante in a fantastic dystopia that looks like it could have sprung from the mind of Guillermo del Toro, and a lot of unusual imagery from a dark haired woman in too much makeup, with occasional quick cuts of contemporary London. This trailer is, to risk understatement, misleading. All of the images presenting Franklyn as an unusual and risky dark superhero fantasy are advertising a different film, not the one that was made. Was the film presented in the trailer better or worse than the reality of what Franklyn delivers? That's a more difficult question.

This was the least disingenuous poster I could find for the film.

This is a difficult movie to summarize without giving the whole game away, as the first third of the film is complex, disconnected and the audience spends much of the time asking "What the hell is going on?" The characters we are shown have stories that on their own are not difficult to follow, but the plot and tone of each of the four stories being told suggest that they don't belong in the same film. One of the stories (the one that the trailer chooses to focus on, naturally) doesn't appear to belong in the same world as the others. There are bits of each tale that are well told, and a few characters that the audience can identify with, but for much of the film, I found myself wishing that they'd just get on with it. We have a dangerous masked figure reminiscent of batman dressed like Decker from Nightbreed, a stock troubled young female artist, a man who is dealing with having been left by his fiancee very near the wedding day, and an old man looking for his son.

First, let's start with Jonathan Preest, as his visual style sells the movie. I have to admit, the mask itself pretty much guaranteed that I'd check the film out. Ryan Phillipe gives us his best Rorschach impersonation in Meanwhile City, a place where everyone has a religion, as required by law. Everyone, that is, except for Jonathan Preest. He does his private detective work while evading the top hat and goggle-wearing Ministry Clerics, and the visuals surrounding everything he does are pretty awesome. The problem is, Meanwhile City is a one-trick pony, we get it... everyone has a different weird faith and we are constantly given examples without any deeper exploration of what such a society would be like. Preest himself is a collection of cliches, his gravelly narration and sparse characterizations have been seen dozens if not hundreds of times before. I'll grant that the overbearing fantasy without substance is likely as a result of filmmaker choice rather than lack of skill or imagination, but I'm not sure that gives it a pass.

Emilia, in the middle of her "art." Any time I saw this character's life
in danger, I found myself rooting for natural selection.

This brings us to Emilia, whose tale is, if anything more vapid, pretentious and cliche than anything in the fantastic Meanwhile City. I hated this character for the combination of not a single shred of anything unique or new and the overwhelmingly terrible art-house crap that is her work as an artist that the audience must suffer through. She is played straight down the numbers of any one of hundreds of gothy artistic women in films and comics. Wealthy mother, missing father, smokes and wears black and too much makeup while painting and shooting videos about sex, death and beauty while being depressed about her life and work. I found myself agreeing with her college art professor/advisor with regards to his assessment of how devoid of substance her performance art schlock routine was. Once again, given the presentation of the character and her role in the story, all of this could have been done purposefully, but that doesn't mean it belongs in something other people have to watch.

Milo is a little bit more sympathetic as a young earnest man who has just been jilted by the woman he was about to marry and leans on his friends and family while he tries to put his life back together. What little whining this character does is totally justified by what we see him going through, and a great performance from his supporting characters (his best man, his mother and the best man's better half) keeps the scenes from dragging. He begins seeing a mysterious woman around town as he tries to figure out how to cope with his destroyed love life, and pursues her into some unusual places, giving us just a tiny hint of the bizarre in his plot. Overall, played with more subtlety than the previously discussed characters, as we start filling in answers to the questions posed to his story, it carries a bit more emotional weight.

The fourth character, Peter Esser, is a highly religious man who is looking for his missing son. For me, his tale was the most interesting, and it has the least to do with any supernatural, fantastic or weird bits, at least to start. From the promotions for this film, you'd think that this part of the story didn't exist, as everything that doesn't focus solely on the Meanwhile City plot at best only shows the attractive young people as leads in the movie. This is a shame, as Esser's journey is a better detective story than anything in Preest's part of the film, and told from a unique perspective, to boot. I'd have liked to see the old man's search through hospitals and homeless shelters expanded on, as this bit had many of the best scenes in the film, and how his story ties into the other three very nearly redeems them by the end.

The film, by the end, does pay off in terms of a justification for why these characters are all in the same movie, and I was satisfied with the explanation. Franklyn isn't a bad film, but there is one character whose entire role in the movie annoyed me and diminished the experience as a whole, and the film that was advertised could have been a great one. Meanwhile City and Preest had potential, if there had been more substance to all of the great visuals, but in the end, what we got there was a really cool looking mask with absolutely nothing behind it. It is worth mentioning that this film had a fairly low budget and was the director's first film, and given those facts I'll give it credit for what it managed to do well. The final sequences could have been presented in a way that had more emotional impact and a better resolution, but I don't think "low-budget British sci-fi" when looking at the film as a whole. For those who have Netflix streaming, Franklyn is available as of the publication of this article, and it is worth a look. Just know what you are getting into, in spite of what the trailer promises.

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Blog Gadgets

Batmen in Elseworlds – The best of Bruce Wayne in alternate universes.

When I write about comic books, I tend to write about Marvel. I've declared my allegiance there, but that doesn't mean I don't like DC. I could do without most of the DC Universe, but c'mon... Batman. When thinking about my favorite heroes in all comic books, I don't usually even bother listing him. Batman is just assumed to be at the top of that list. One of the things that got me into the Marvel continuity was What If?, as I've mentioned before. That said, my very favorite DC titles come from a similar source, in their elseworlds imprint. In fact, my favorite single issue of a superhero comic is probably the final issue of the Elseworld title Superman: The Nail. Over the years, however, I've made a point of tracking down and reading almost every one of the Batman Elseworld one-shots and limited series. These titles are the best of those, in my estimation.

Batman: Holy Terror – This book was the first ever to be published under the Elseworlds logo, and one of the many that takes familiar characters from Batman's corner of the DC Universe and places them in a new time and place, re-telling their origins through trappings of the transplanted genre. In this story, the Reverend Bruce Wayne of Gotham is told by his friend James Gordon, an inquisitor in charge of investigating the deaths of Bruce's parents that their deaths were part of a state conspiracy, and not a random mugging. His crusade to bring those responsible to justice in the Dark Theocratic Government brings him into contact with Barry Allen, and a witch whose spells are cast backwards, reminiscent of Zatanna. In the cape and cowl as a servant of God and Justice, he runs into the conspirators in the midst of "Project Green Man," involving a certain alien who crash landed in Kansas.

Gotham Noir – This one I rushed right out to purchase, as I'm a huge fan of detective stories and Film Noir. In some ways, this tale is more about Jim Gordon than it is about Bruce Wayne. We see Gordon, a washed up drunk and private investigator trying to deal with his demons when he gets pulled into a mystery. He has to find his way out of the bottom of a bottle and find out what really happened to the girl he failed to protect. Along the way, he has to confront what happened back in the war, and deal with criminals and thugs around every corner of the darkened streets of Gotham in the late 1940s. We meet several incarnations of classic characters from the DC Universe, including Harvey Dent, Selina Kyle and a version of The Joker. Batman himself is present, but it is unclear by the end if he is real, or hallucinations brought on by Gordon cracking under the pressure.

The Doom That Came to Gotham – Mike Mignola, of Hellboy fame with Dark Horse, spins a 1920s tale of a Bruce Wayne that could have come straight from the pages of H.P. Lovecraft. All of the looming cosmic horror and pulp adventure, with secrets Man Was Not Meant To Know lurking behind the mystery of it all. There are shades of much of the Cthulhu Mythos in this, most notably The Mountains of Madness near the start of the tale. Oliver Queen and Harvey Dent make cameos, and we are treated with 1920s versions of Mr. Freeze, The Penguin and both R'as and Talia al Ghul. Throughout the three volume series we also meet Alfred, James and Barbara Gordon and all three pre-Stephanie Brown incarnations of Robin – Dick Grayson, Jason Todd and Tim Drake.

The Batman Vampire Trilogy – Starting with Batman and Dracula: Red Rain, this series gets darker and darker as it progresses. Rather than putting Batman in an alternate time or genre, we see what happens when the Dark Knight gets involved with the Lord of Vampires. From the initial books dealing with his battle against the Dark Prince of the Undead through his own struggle against his nature upon contracting vampirism itself, we see Bruce Wayne's dark side through the lens of horror. The story plays with Batman's already tortured psyche and inner demons and shows us what happens to that character we already know when he is gripped by something inside him he cannot control. Bruce Wayne is already compulsive, tortured and extraordinarily driven to the brink of insanity, add to that a unholy thirst for human blood and we have a great superhero/classic horror crossover tale.

Batman: In Darkest Knight – This series resembles the Marvel What If? Line more than the others because it is based on a simple question, and following the answer to that question to a possible logical conclusion. The question is, in this case, what would happen if instead of the power of the Green Lantern passing to Hal Jordan, what if it had gone to Bruce Wayne? We get a very different take on classic moments in the Green Lantern canon with a different bearer of the ring, and some of Wayne's past interact with the problems facing the Green Lantern Corps in unexpected ways. Sinestro is, in this Universe, responsible for the creation of supervillainous versions of Harvey Dent and Selina Kyle, completing a triad of Green Lantern villains tainted by Bruce Wayne's own past.

These stories are not in any way the whole of the Batman Elseworlds tales, just a few of my personal favorites. Though I never read all of it, Gotham by Gaslight is also worth a nod, and technically Frank Miller's classic The Dark Knight Returns could be considered an Elseworlds title, but I think that story might deserve an article all its own. I may at some later date return to the topic to revisit the Superman Elseworlds which also occupy a special place of honor in those few DC Titles I actively pursue and read whenever I can get my hands on them. 

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